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  <url>
    <loc>http://www.andrew-marchetti.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428261998115-5FM3UHOMN1PCVXP4DRZV/chad2.0.jpg</image:loc>
      <image:title>Theatre - Scenic - Puppetry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428259070701-H5UAHF4ZL5GCNY8RCCUS/chadprogress2.jpg</image:loc>
      <image:title>Theatre - Scenic - Puppetry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1427250302274-8QCNU1SW9POS58FNNGTD/image-asset.jpeg</image:loc>
      <image:title>Theatre - Scenic - Puppetry</image:title>
      <image:caption>From left to right: Herb--the innocent and aloof everyman; Mooch the Monster--gruff and lovable; Rustle the landlord--he's foreign and...foreign; Chad the Bird--the brainchild of Josh Zagoren, he's the no nonsense, quick witted, id we all connect to and aspire to be like if only for a few hours a day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1427250613069-ULRIK2VNFEEO94BA376Z/curtains.jpg</image:loc>
      <image:title>Theatre - Scenic - Puppetry</image:title>
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  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/new-gallery-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550366165935-L4WTZQ7NZJBVQIW27A69/DSC05636.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Snow Queen</image:title>
      <image:caption>Although technically billed as “the goblin” - I was lucky enough to play a half dozen over-the-top characters: the goblin, the swallow, the enchanted flower, the rose, the rave, the robber queen and the reindeer. To be fair, a good portion was puppetry based so I was able to pull double duty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550366165935-L4WTZQ7NZJBVQIW27A69/DSC05636.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Snow Queen</image:title>
      <image:caption>Although technically billed as “the goblin” - I was lucky enough to play a half dozen over-the-top characters: the goblin, the swallow, the enchanted flower, the rose, the rave, the robber queen and the reindeer. To be fair, a good portion was puppetry based so I was able to pull double duty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1490064184883-FM5A22CZRE2KNENXA0YJ/fogman.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Fog Island</image:title>
      <image:caption>Beautifully adapted by a talented team at Filament Theatre, this was a world primere play based on the beloved childrens book. The Fog Man was challenge to play mysterious and innocent at the same time. Costume designer Noel coined the phrase 'spooky cute'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1427674848472-IB88Z42FR1PSOZDFVFPG/image-asset.jpeg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Cyrano!</image:title>
      <image:caption>Cyrano! Was a three person play that was produced at Filament Theatre in the summer of 2014. I was humbled to play the titular role, conceive and build the set, and choreograph the swordplay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428114503358-2DI8O6TCRUPBM4FF5OC8/Fuddy_Meers__2.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Fuddy Meers</image:title>
      <image:caption>Ka-tet Theatre company was a major part of my growth from multiple character actor to specifically focused roles with lots of flaws and major influence on plot. The Limping Man in Fuddy Meers is an actors role that is under appreciated and deliciously dangerous to play.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428114020982-W5NGFJN5U10FIT0P7FYM/caesura2.JPG</image:loc>
      <image:title>Theatrics - Performance - Apperances - Caesura</image:title>
      <image:caption>In 2011, I was cast as Caesar in The Plagiarist multi-source production or Caesura. In one of the most intimate spaces in Chicago, the Right Brain Project space, we created a reduced yet palpably intense staging of the classic story of the betrayal of Julius Caesar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428113711006-H9TP5TQK78MT2G72YSZL/alchemy1.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Alchemist</image:title>
      <image:caption>Nothing Special Productions presented The Alchemist at the BoHo Theatre in the fall of 2012. I was humbled to be cast as the titular role which was equal parts challenging and rewarding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428115192024-WF0N6VUQWLLBX7MEX8VJ/medusa.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Wreck of the Medusa</image:title>
      <image:caption>A year long pre-production process, aided with the support of the Chicago DCA project, The Wreck of the Medusa was an ambitious production created by The Plagiarists. I was cast as Captain de Chaumareys--the tradgically inept commander who doomed the famous French ship and vicariously induced canablism and ultimately immortalized in Gericault's Louver's fresco.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428115995415-Q8VE7T4PSDS1FJHXZJ9C/TKB2.jpg</image:loc>
      <image:title>Theatrics - Performance - Apperances - Talk, Kiss, Blackout</image:title>
      <image:caption>HoBo Junction has been a bastion of original comedy, helmed by Josh Zagoren and a band of ruffians deadset on creating original comedy prodcutions. I have been involved in several productions including The Temp, Bad Guys in Suits, Talk-Kiss-Blackout, and various specialty projects. Sometimes a 45 minute romp is just as rewarding as a three hour epic. Proud to work with these nuts.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428117258954-ILTH5JLOTXVH4PR6XLNQ/GrossIndecency1.JPG</image:loc>
      <image:title>Theatrics - Performance - Apperances - Gross Indecency</image:title>
      <image:caption>Gross Indecency; the Three Trials of Oscar Wilde was one of the first 'meaty' roles I was afforded with BoHo Theatre Company. Intimate, stylized and historically accurate (down to the underwear), this production was a lesson in social-political theatre that really resonated with a community and the city at large. I was honored and humbled to participate in this in depth production.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/project-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1426207148110-H3O1XJ4L6ZEW84UJRJQZ/cyrano.jpg</image:loc>
      <image:title>Scenic - Design - Models - Sketchup Design For Cyrano!</image:title>
      <image:caption>Filament Theater Ensemble 2014 season needed a mobile set with a week turn around from Cyrano! to Lifeboat. I created a mobile set for Cyrano! that would be reconfigured to fit the scenic demands of the play, then secured to the stage deck for the purposes of Lifeboat. The result was both functional and stylized to fit both shows equally and efficiently.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1426207148110-H3O1XJ4L6ZEW84UJRJQZ/cyrano.jpg</image:loc>
      <image:title>Scenic - Design - Models - Sketchup Design For Cyrano!</image:title>
      <image:caption>Filament Theater Ensemble 2014 season needed a mobile set with a week turn around from Cyrano! to Lifeboat. I created a mobile set for Cyrano! that would be reconfigured to fit the scenic demands of the play, then secured to the stage deck for the purposes of Lifeboat. The result was both functional and stylized to fit both shows equally and efficiently.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428122452757-00WOSGX1LNFO8TO1XKG6/Cyrano.JPG</image:loc>
      <image:title>Scenic - Design - Models - Cyrano!</image:title>
      <image:caption>The main platform, complete with canolevered balcony, was able to move with as little as one cast member. The mobile stair unit was designed to nest flush against the main unit or be utilized on its own. Swordplay, multiple cast members and constant rearranging was all factored into the design for easy transitions and longevity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428121836496-ZR0BGVU545700Z4ECOPM/Lifeboat.JPG</image:loc>
      <image:title>Scenic - Design - Models - LIfeboat</image:title>
      <image:caption>The former furniture warehouse has an industrial feel that Filament embraces, including a wide brick wall which is a promanent feature in many productions. We used this to our advantage for Lifeboat. The set created the 'anywhere' space of an attic, a boat deck, a life boat, a rescue dingy, sleeping quarters and much more. The antique wood-brass-trunk-brick style is one of my favorites and was througly intigrated in this design.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428122037983-KTFJNBS3UUBW7OUMYO1L/2015-02-11+22.07.05.jpg</image:loc>
      <image:title>Scenic - Design - Models - James and the Giant Peach</image:title>
      <image:caption>I was tasked with creating 100+ origami seagulls, five different 'giant peaches', various puppets and props in a thematic story-page motif, as well as assist in blending the scenic design within the elements of the the show. The challenge was compounded by the fact that we only had a few weeks to bring the show from page to stage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428121850005-1AE3LZHTHSZ3FFAHA52U/BernardaAlba.JPG</image:loc>
      <image:title>Scenic - Design - Models - Bernarda Alba</image:title>
      <image:caption>BoHo Theatre Company is a staple of the Chicago theatre scene and I have be very fortunate to work with them both on stage and off. A dark and complex world was needed in an incredibly intimate space, complete with 'climbable walls, high perches, and secret hiding spots' all in a forced perspective proscenium theater no bigger than a double garage.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428121923187-ZE7JIL2GC50PVE7NNUB6/BernardaAlba2.JPG</image:loc>
      <image:title>Scenic - Design - Models - Bernarda Alba</image:title>
      <image:caption>The space was meant to feel like a Spanish mission, with rust red tile floors, broken stucco, and various shutters both metaphorical and practical. Lighting Designer for the project was able to emphasize hight and depth quite well.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428121879753-OT9NUBT1GKI4Q5LAR9OZ/GrossIndecency.JPG</image:loc>
      <image:title>Scenic - Design - Models - Gross Indecency</image:title>
      <image:caption>Gross Indecency was another BoHo Theatre production that required a simple yet important set which let the store unfold while still allowing for mystery and functionality. The multi-level set was heavily influenced by the Art Nouveau movement. Though primarily a courtroom, the scenic demands needed to portray a busy street front, a seductive bedroom, a classic theatre and various other locales.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428121893898-GY80BAE4RZBYTV4WYL0N/BGIS.JPG</image:loc>
      <image:title>Scenic - Design - Models - Bad Guys in Suits</image:title>
      <image:caption>HoBo Junction has commissioned me for several productions. The key element in all of them revolve around HoBo Junctions nomadic nature. One of the highlights was the remount of the popular 1920's farce: Bad Guys in Suits. This production featured moving walls meant for integral shadow play, notorious locations, quick changes and vaudeville shenanigans. Not only did I direct, I also consulted on specialty costumes meant to replicate an oil drum, an arm chair and a mail box; period appropriate props and puppets of the disembodied nature.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422900448-S9INVAA7LQ5E7K1EXZ1Y/Screenshot+2024-08-11+192405.png</image:loc>
      <image:title>Scenic - Design - Models - Chad the Set</image:title>
      <image:caption>Local Op-Ed avian commentator Chad the Bird began broadcasting from 'the crows nest' - the set had to be both durable, light weight and original to the overall themes that Chad would represent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422900156-U71MVH4ZE1Y3WKKXZQAI/Screenshot+2024-08-11+192124.png</image:loc>
      <image:title>Scenic - Design - Models - Mosaic Wellness</image:title>
      <image:caption>A fully functional practicing clinic of Chinese medicine modalities. This space is both masculine and feminine and specific attention was paid to invoke soothing colors, soft lighting, soundscapes, hints of elegance and with attention to reverence in avoiding any cultural appropriation. One exception is the use of 'Kintsugi' which is a thread representing both the Japanese practice of mending broken pottery back to use, and Christian themes of Moses as a leader of multiple nations, all to highlight themes of 'mosaic'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422902371-V9C4OJWI5L6ON3T0AIHX/Screenshot+2024-08-11+191750.png</image:loc>
      <image:title>Scenic - Design - Models - "The Brewer" Prototype</image:title>
      <image:caption>In order to create a curio cabinet that has 25 moving parts, including two rotating screens, placard inserts, trap doors, and even lighting effects, a scale model was created from cardboard and foamcore to identify the many physical needs, and the relevance to all the intermixing doors, traps, scrolls and lighting components.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422902145-I6U74DSXZZPDY3631VH1/Screenshot+2024-08-11+191845.png</image:loc>
      <image:title>Scenic - Design - Models - "The Brewer"</image:title>
      <image:caption>A curio cabinet that has 25 moving parts, including two rotating screens, placard inserts, pop-ups, trap doors, and even lighting effects. The project goal was to evoke an sense of generational ancestry -- a case that has been passed down and cared for, with its secrets still intact. Made of light weight materials for the rotating cast of performers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422926638-PMJU58WDXOK8LHCXOP86/Screenshot+2024-08-11+190718.png</image:loc>
      <image:title>Scenic - Design - Models - Crash Pad</image:title>
      <image:caption>In early 2009, a concept pilot was created for a hybrid puppet/human internet show. A human roommate would finance the chaotic apartment filled with dysfunctional puppets. One of the goals was an intro inspired by 'Pee Wees Playhouse' where the credits would include a scale shooting model of the fictional two-flat housing the occupants. I created an elevational draft to identify the quirks of the two-flat prior to construction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422926849-JSVKSXS7GFX0J2WJV4VN/Screenshot+2024-08-11+190937.png</image:loc>
      <image:title>Scenic - Design - Models - Crash Pad White Model</image:title>
      <image:caption>The model of 'Crash Pad' was built in 1:24 scale out of foamcore to achieve the pseudo realistic quality of a genuine Chicago two-flat. The creative team knew that the model should look both "like a model, and yet, give pause as if it were (or could be) a real location". The opening credit sequence would have leveraged trick photography to place the miniature at a distance from a real 'EL train' overpass in Chicago to sell the illusion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422928878-DO93GVPG6V60TABGR59G/Screenshot+2024-08-11+191028.png</image:loc>
      <image:title>Scenic - Design - Models - Crash Pad Working Model</image:title>
      <image:caption>The Crash Pad two-flat was inspired by real architecture, but had significant spatial requirements. An uncommonly prominent fire escape, an entry balcony, a bird roost on the roof, a garden window that would include practical lighting effects, and an overflowing dumpster were all part of the show concepts that would play into specific storylines. Everything was built from scratch including the window and door frames, and painted and distressed by hand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422904341-N7EOBJK4OY1B6RWS97PD/PXL_20240223_044708038%7E2.jpg</image:loc>
      <image:title>Scenic - Design - Models - Chad the Show WIP</image:title>
      <image:caption>Local celebrity Chad the Bird is spreading his wings and touring across the Mid-West. Puppet stages (or blinds) are usually soft materials based on curtain and rod installations, but the need for a more robust stage was required. Conversing with the creative team, themes of 80's pizza parlors and arcades, as well as Cel-shading was paramount. This design is unique in that the lighting surrounding the title placard is a functional chase sequence (controlled by the puppeteer as needed) and has locking doors and AV mounts behind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723422903690-0W0044QDG4H43RX33J1K/Screenshot+2024-08-11+191619.png</image:loc>
      <image:title>Scenic - Design - Models - Chad the Show Final Paint</image:title>
      <image:caption>Local celebrity Chad the Bird is spreading his wings and touring across the Mid-West. Puppet stages (or blinds) are usually soft materials based on curtain and rod installations, but the need for a more robust stage was required. Conversing with the creative team, themes of 80's pizza parlors and arcades, as well as Cel-shading was paramount. This design is unique in that the lighting surrounding the title placard is a functional chase sequence (controlled by the puppeteer as needed) and has locking doors and AV mounts behind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723427401944-R5VOVG0W6LJUOSG1G9EU/Screenshot+2024-08-11+204901.png</image:loc>
      <image:title>Scenic - Design - Models - Dickens: A Christmas Present</image:title>
      <image:caption>Dickens: A Christmas Present is a projected immersive seasonal event for Dead Reckoning Theater Co. that is part haunted house, part immersion experience and part banquet and fundraiser in a fully realized world. Originally slated for an now defunct warehouse in the McKinley Park neighborhood, the entire set was designed out of the specificity for many navigable rooms, halls and secret passageways. The climax of the evening would end in a grand banquet hall for canapes and cocktails. With a faux Victorian façade, decaying salons and parlor rooms, a solarium, jail cells and even a secret exhibition quarter, all surround the grand hall the concept allows for full exploration.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1723427401867-6T6LH4EBVBV1681BIKTX/Screenshot+2024-08-11+204722.png</image:loc>
      <image:title>Scenic - Design - Models - Untitled Theater Project</image:title>
      <image:caption>Untitled Theater Project was slated for 4304 N. Western Ave and sadly did not receive funding to advance the project before it was scrapped. The design was perfected to reflect the professional grunge of black box and nomadic companies in need of a home base: a studio on one side of the building, a theater on the other, and a common way to use either independently or both at the same time. Each harbors the capability of being enormously flexible. Easy to use, fully stocked and inventoried, and remarkably interchangeable; this complex theater would not only be affordable, but desirable and hopefully irresistible to the community. For its simplicity, nothing like this really exists. Perhaps someday.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147181684-K1QAL1K2MH2Y4ABO276P/herb.jpg</image:loc>
      <image:title>Puppets - Herb</image:title>
      <image:caption>Herb started the whole thing, he is a project several years in the (re)making. Herb is the other half of the lead of Crash Pad with Chad the Bird.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147181684-K1QAL1K2MH2Y4ABO276P/herb.jpg</image:loc>
      <image:title>Puppets - Herb</image:title>
      <image:caption>Herb started the whole thing, he is a project several years in the (re)making. Herb is the other half of the lead of Crash Pad with Chad the Bird.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147589849-KPQTRWU35AAUK12Y9WV5/mooch.jpg</image:loc>
      <image:title>Puppets - Mooch</image:title>
      <image:caption>Mooch is a live hand puppet built much larger than usual. He’s a crowd-pleaser and a favorite to perform.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147647549-CNQLBV7ZYM8LBBYYIV6R/scaps.jpg</image:loc>
      <image:title>Puppets - Scraps</image:title>
      <image:caption>Built for a music video, Scraps is the perfectly lovable retriever - his name came from the remnants of fabric that brought him to life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147918482-H3LB2G7LDN69T1V1B6YH/salty.jpg</image:loc>
      <image:title>Puppets - Salty the Snowm'n</image:title>
      <image:caption>Salty sure looks like fun, but he HATES the winter and the kids and the cheer, oye. He turned out exactly as conceived which is a triumph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147817291-UC5Q6TIG2FHEIJF5I89N/mole.jpg</image:loc>
      <image:title>Puppets - Mole the Rat</image:title>
      <image:caption>Resident conspiracy theorist, Mole gets most of his news from the tabloids that line his cage. But, he’s adorable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147679090-TK86C3Z0NKE1COUGI11Z/bev.jpg</image:loc>
      <image:title>Puppets - Trish</image:title>
      <image:caption>Another addition to the archetype cool girls - Trish has a custom wig designed just for this project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147942560-FQBNR3LHDK96CH15A8G6/tea.jpg</image:loc>
      <image:title>Puppets - Kim Lynn</image:title>
      <image:caption>Kim Lynn is the final addition to the archetype cool girls.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147724372-APHJ9WZ3SJ1TIP5XMZI8/blue.jpg</image:loc>
      <image:title>Puppets - Blu</image:title>
      <image:caption>My boy Blu would totally be into tic toc, insta and any of the other social time wasters. For now, he’s waiting for his patreon to get traction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147787512-ZZGARRFZIVVWB3J0JPG2/hill.jpg</image:loc>
      <image:title>Puppets - Hillary</image:title>
      <image:caption>This was for a local parody show that never got produced but needed ‘topical’ political hosts. The idea was to replicate without going too caraciture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147745943-2LYKO50U9DN3ASLXTQE8/donnyboy.jpg</image:loc>
      <image:title>Puppets - Donny Boy</image:title>
      <image:caption>Ol’ 45 was another host for the unproduced project - he now live in Flordia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147765881-E6M57MO6PBRXRG4IKIQD/goober.jpg</image:loc>
      <image:title>Puppets - Goober</image:title>
      <image:caption>The first of several monsters for a PayPal industrial training video. One of my favorites.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147848614-FH0FIC025FOA91IYNWMQ/orange.jpg</image:loc>
      <image:title>Puppets - Frank</image:title>
      <image:caption>Here to party, or chill, or netflix, or pizza, or to party, or pizza. Another fun monster.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620156668799-606KCUKTN4CN5CVH6KLI/purple.jpg</image:loc>
      <image:title>Puppets - Purple</image:title>
      <image:caption>This monster was a bit like Srcaps - sometimes you just have to make something with what you have and it starts to form itself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147892915-9J7JE3SNDPNUKX6BFSBU/red.jpg</image:loc>
      <image:title>Puppets - Red</image:title>
      <image:caption>Ol’ Red is a bit of a spaz and a total scaredy pants - lot’s of hand laid feathers brings out the crazy for this monster.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550365683798-U37YR8CC0YVV6PYGUN65/boner.jpg</image:loc>
      <image:title>Puppets - Boner</image:title>
      <image:caption>Boner is a mechanical reverse ventriloquist design. The head has three points of movement including a fully articulate jaw. Boner also has a fully articulated hand with four independent fingers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1620147970039-FGCHLZYC1KDGQPRVMKCP/IMG_20190828_182720.jpg</image:loc>
      <image:title>Puppets - The Gang</image:title>
      <image:caption>Just a quick cast shot for a music video project where all were required.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1490062860338-TO02YJ19RV9VTD3NWE5R/chad2.0.jpg</image:loc>
      <image:title>Puppets - Chad</image:title>
      <image:caption>Chad the Bird is the brainchild of Josh Zagoren and was commissioned for weekly performances at the Paper Machete at the Green Mill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1490062987933-A3PZYUHJE2Y6Q5H92F29/punchandjudyfinished.jpg</image:loc>
      <image:title>Puppets - Punch &amp; Judy</image:title>
      <image:caption>Punch and Judy were made out of polymer clay for a production of Joan of Arch. They are grotesque and charming at the same time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1490063027815-4CFPGXN70B4TJBCGXJJW/jeauxs.jpg</image:loc>
      <image:title>Puppets - Juex le Crow</image:title>
      <image:caption>'Joe' is a 6-point-of-movement mechanical crow that has full functioning wings and head movement. The trigger mechanism engaged the wings to expand out, splay and flap via the performer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/about-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2013-12-10</lastmod>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/new-gallery-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371909580-YG65SQZBRDZD4B4AF3EQ/DSC05554.jpg</image:loc>
      <image:title>New Gallery - Swallows: Paper Mache Birds</image:title>
      <image:caption>Part of several puppets, props and masks built for Filament Theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371909580-YG65SQZBRDZD4B4AF3EQ/DSC05554.jpg</image:loc>
      <image:title>New Gallery - Swallows: Paper Mache Birds</image:title>
      <image:caption>Part of several puppets, props and masks built for Filament Theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371811971-VIGZQDBEJQOW16773Z8F/DSC05891.jpg</image:loc>
      <image:title>New Gallery - Snow Queen: Mask</image:title>
      <image:caption>Part of several puppets, props and masks built for Filament Theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371842309-SGOBG2AU6PEWXAT3O6WI/SnowQueenDress-13-920x613.jpg</image:loc>
      <image:title>New Gallery - Snow Queen: Mask</image:title>
      <image:caption>Part of several puppets, props and masks built for Filament Theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371824430-LRTV89WVCU2L794U87F8/IMG_20181010_220940.jpg</image:loc>
      <image:title>New Gallery - Snow Queen: Mask</image:title>
      <image:caption>Part of several puppets, props and masks built for Filament Theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371825807-OL84A7U3SNCU709N1S7T/IMG_20181020_090029.jpg</image:loc>
      <image:title>New Gallery - Snow Queen: Mask</image:title>
      <image:caption>Part of several puppets, props and masks built for Filament Theater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371841925-GQTCXSXN01B7P9Q30N04/Knuffle+Bunny-30.jpg</image:loc>
      <image:title>New Gallery - Knuffle Bunny: Puppets</image:title>
      <image:caption>Puppets and scenic design for Northwester University partner program with Imagine U</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550371843916-H4PM7XWNF3XOE796BDA3/Knuffle+Bunny-33.jpg</image:loc>
      <image:title>New Gallery - Knuffle Bunny: Puppets</image:title>
      <image:caption>Puppets and scenic design for Northwester University partner program with Imagine U</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/new-page-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1428163731564-ORTX19HE3NFQOFFAZ3CC/image-asset.jpeg</image:loc>
      <image:title>Acting - Performance - Editorial</image:title>
      <image:caption>Filament Theatre Ensemble's production of Monster In The Hall. Cast as Duke, a blind, MS stricken Scotsman coping with his teenage daughter's fears and frustrations. Set in the 1960's, complete with era appropriate music, folly sound effects and hightened energy--this show was the most aggressive in Filaments varied catalogue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1427677626446-99B2G4XL9KR9B0UZPDZ9/TKB4.jpg</image:loc>
      <image:title>Acting - Performance - Editorial</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/read-me-1-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1490065487055-IUAYBMZAV2QB4L1IIDRF/image-asset.jpeg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Filament Theatre Ensemble's production of Monster In The Hall. Cast as Duke, a blind, MS stricken Scotsman coping with his teenage daughter's fears and frustrations. Set in the 1960's, complete with era appropriate music, folly sound effects and hightened energy--this show was the most aggressive in Filaments varied catalogue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52a74d9ae4b0253945d2aee9/1390928870858-4D9B6T9WGP8017NSS9W3/topography.jpg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1544640284072-53ANSC68K1LYULLBQNGP/headshot1.jpg</image:loc>
      <image:title>BIO</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550373057061-I39R8QWGG9W2V3CY5R67/IMG_20180802_072442.jpg</image:loc>
      <image:title>BIO</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/take-action</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1489979753935-UN5R7CJIL8LN80VYYJBX/curtains.jpg</image:loc>
      <image:title>Contact Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/proud-fist-puppetry</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1489977657601-O2X6KLZ3I6EAN4PW0FYJ/proud_fist.png</image:loc>
      <image:title>Proud Fist Puppetry</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/stagecraft</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1489980420671-MG2YBQSVGH2YNJIRGCZ3/lighting.jpg</image:loc>
      <image:title>Stagecraft Design</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/read-me-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1654720173943-3C72E6KNUAM0THLD46O5/promo_portrait.jpg</image:loc>
      <image:title>On-Stage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1654720194195-3YPBIE69HLDL6HG60LJV/ink.jpg</image:loc>
      <image:title>On-Stage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1654720206718-Y7IHY4PV8CMBRPPGRLUM/boots.jpg</image:loc>
      <image:title>On-Stage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1654720241214-VFF3R6ZPATL6O48J7DQW/Dampier_flag.png</image:loc>
      <image:title>On-Stage</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1654719515940-NBMF3EFHXJGZWFI4T5I8/filament.jpg</image:loc>
      <image:title>On-Stage</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.andrew-marchetti.com/publications</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8edb7e4b0feeb7838a677/1550367785471-OKODPQVMSLX6FLOMIRCD/Typed-Writer.jpg</image:loc>
      <image:title>Publications</image:title>
    </image:image>
  </url>
</urlset>

